Sunday 18th March 2012, 7.45pm, GFT, Rose Street, Glasgow.
With experience in still photography and stage costume design, but no training in film whatsoever, Bidgood shot Pink Narcissus on the cheap in the confines of his bedroom, using Bolex cameras with 8mm Kodachrome and eventually 16mm Ektachrome stock. It took over seven years to make and the result is an epic and bold work. A series of homoerotic fantasies, the film’s singular aesthetic is at once highly camp and deliberately trashy, yet moving and stunningly beautiful. Its charming naivety evokes early film pioneers such as Méliès or de Chomón and, like them, Bidgood was heavily invested in fabricating his own elaborate sets and costumes, as well as his own universe of solutions and tricks. Sadly, the film was not edited by the artist himself who had, by the early 1970s, lost creative control of his mesmerising footage.
This screening will be introduced by Michael Gillespie, writer and critic for Across the Arts.
